Join me and Rob Caravaggio as we scour the plains of Texas (or painted desert of Arizona, YMMV) for our kinfolk and become bitter, bitter men. We love the film and have a lot of fun talking about the text, the sub-text, and possibly some sub-sub-text. See the breathingest dead man on screen, the woodenest of wooden actors, and the most of whatever Mose is.
We don’t care for the music much or for some inherent prejudices in a film that ostensibly tries to say racial prejudice is bad. We analyze the use of humor, montage, and studio work. We compare the film to other Wayne-Ford films, Star Wars, Star Trek, and Adam Sandler’s failed Western.
We’re watching the Blu-ray. Start along with the Warner Brothers logo (not after), on the countdown.
My thoughts and sympathies go out to John Pavlich in a time of hardship on the loss of his mother. His Sofa Dogs podcast is one of the first commentary sites on the Web. We bonded over Firefly and Community and a lot of crazy movies, and he’s always a bright spot in my movie watching/commentary listening pastime.
He deserves your attention for a moment if you can give him some support during this difficult time.
Go Fund Me page
Join me as I’m again joined by Jimmy B for a tender tale of romance about a fashion model and a lonely pizza-loving man named Marion. We compare it to other Stallone films, other ’80s action we’ve done commentaries for, and Hong Kong Phooey. Actually the Hong Kong Phooey stuff might be slightly off-topic, along with our attempt to answer the age-old question: what is brown sauce?
We don’t like the film and mock it as it deserves and yet confess a deep affection for it in that it transcends the Steven Seagal/JCVD stuff that came after it and seem modeled on it. Get your axes and motorcycle and join our cult!
We’re watching the Blu-ray. Start after the Warner Brothers logo, on the countdown.
Join me as I join John Pavlich of Sofa Dogs to get inside your head and figure out your weaknesses and use them against you. We analyze the unusual structure of the movie, play with different ways of looking at it, and try to figure out who the real villain is. (Chilton. It’s Chilton.)
We compare the film to other Hannibal Lector movies, Hitchcock and De Palma films, The X-Files, other horror movies and psychological thrillers, and YouTube videos. I complain about some fundamental aspects of the film despite loving it and do an impression of Lector and screaming lambs. John indulges me patiently and explains the parts I don’t understand.
NOTE: We’re explicit again for some repeated dialog.
We’re watching the Blu-ray version. Start the film after the Orion logo on the countdown.
Join me as I’m again joined by Jimmy B, this time for what is probably Eddie Murphy’s greatest film, and one that I regard as nearly perfect. We compare it to 48 Hrs, Cobra, and Midnight Run. We discuss Eddie Murphy’s career at some length. We impugn the LAPD. And we more-or-less fix Hollywood.
WARNING: This is explicit again, but only just, since we just quote some dialog.
We’re watching the Blu-ray. Start after the Paramount logo, on the countdown. Note that we talk for about 10 minutes beforehand so we don’t chat over the top of the amazing opening sequence.
Join me as I join John Pavlich of Sofa Dogs to have a look at Quentin Tarantino’s other finest masterpiece. We discuss the indie film cred, the music, the dialog, the performances, and the inspirations.
We have a terrific time with it, and praise it thoroly–especially the cinematography–but find fun things to gently nitpick. We debate Mr. Pink (not really) and the timeline (not really). We compare it to Tarantino’s other films, Unknown (2006), The Killing, Kansas City Confidential, and Hamlet.
NOTE: I don’t think this commentary is explicit. It’s hard to remember, tho, because the movie has about 6000 f-bombs.
We’re watching the DVD version. Start the film after the Miramax logo on the countdown.
Join me and Jimmy B and my head cold as we enjoy a nostalgic romp thru our childhoods in an unknown city that is definitely not necessarily Los Angeles. We discuss the whole series (not that we’ll ever do commentaries for any of the others) and related properties (altho we forget about the toy set!) as well as the theme of diversity. We marvel at some of the stunts, try to decide which bits to cut, and praise Harris as a cop.
We compare the film to Stripes, Animal House, The Bad News Bears, Airplane, and Benny Hill and the Carry On films. We fret a little over the Blue Oyster Bar, altho forget that Steve Gutenberg didn’t need cred with the gay community after having starred in Can’t Stop the Music with the Village People.
We’re watching the Blu-ray. Start after the Ladd Company logo has faded, on the countdown.
Join me and Mike of Commentary Track Stars as we watch the fourth and possibly best or most entertaining Mission: Impossible movie. We compare it to James Bond and Bourne movies, Indiana Jones, the other MI movies, the trailer, NSync videos, and life itself. We discuss the cinematography a lot and marvel at the stunts and lack of theme or motivational complication. We criticize the timetable and the familiarity of some plot elements and how the comedy ramps up when stakes are raised instead of vice versa, but we nevertheless like it a lot.
ATTENTION: We are now in the market for a programmer to make a facial recognition app to identify assassins for us.
We are watching the Blu-ray version. Start the film after the Bad Robot logo.
Join me and Drew of Trek.fm as we relive the same day over and over with Tom Cruise in this heartwarming remake of Groundhog Day. We compare it to The Americanization of Emily, Looper, District 9, Gamer, an actual video game, real life, zombie movies, and other Tom Cruise films.
We marvel at the technology both in universe and used to make the film, Tom Cruise’s weird flat streak of perfectly good movies, Emily Blunt’s yoga/hip-hop exercises, and the idea of mixing US and UK troops in the same unit. We like the movie and eventually figure out what’s happening and have a great deal of fun taking it on its own terms and trying to come up with better titles.
We are watching the Blu-ray version. Start the film after the Warner Brothers logo stops moving on the countdown.
Join me and Jimmy B as we look deep into the untold horror and ultraviolence of Predator 2 and like it quite a bit. We discuss the film in context with the first film and the other Predator franchise films. We compare it to RoboCop, Lethal Weapon, Weekend At Bernie’s 2, and Toy F—ing Story 3. We indulge in a little social commentary prompted by the events on screen that perhaps strike a little close to home. And we generally have a good time trying to decide if Danny Glover is the right man to replace Arnold Schwarzenegger. (It goes without saying that Maria Conchita Alonso is the right man to replace Jesse Ventura.)
We fail to mention that someone thought Shane Black’s bad jokes were so fundamental to the success of the first film that Bill Paxton had to be brought in to provide more of them. And WHAT IS UP WITH THE CARS IN THIS MOVIE???
WARNING: This is explicit again, and this time we just give up and swear like sailors.
We’re watching the Blu-ray. Start after the 20th Century Fox logo, on the countdown.