Tag Archives: Faldor


PrometheusNetflix IMDb
Join me as I join John Pavlich of Sofa Dogs and Faldor of the Extended Edition podcast for a thoro drubbing of Ridley Scott’s Prometheus. It’s the heartwarming tale of an old man trying to recapture his youth and getting his head handed to him. But enough about Ridley Scott.

We examine the themes and complications, the plot twists that don’t quite work, and the way the film repeatedly works against itself with their echoes of religion and the other Alien movies, as well as Stargate, Return of the Jedi, and Casablanca.

We’re watching the Blu-ray/HD DVR version and stay in perfect sync. Start the film on the countdown after the Scott Free logo.

Pirates of the Caribbean 2

pirates 2Netflix IMDb
Join Faldor and me for a rollicking–some would say vomit-inducing–roller coaster ride thru the mind of Gore Verbinski and friends as Jack Sparrow (and some other people) returns! Jack Sparrow (and some other people) fight the fearsome Davy Jones! (And we don’t make a single Monkees joke, somehow.) And Jack Sparrow (and some other people) fight the terrifying Kraken! Also, a hell of a lot of deals are made that are almost all reneged on, and the end makes no sense!

We analyze the meandering plot structure, the overlong set pieces, and the muddy motivations. We posit some changes that might have helped clarify or at least short the mess. And we wax philosophical about which film is better: this one or the third one.

I’m watching the R1 DVD version; Faldor is watching the Blu-ray, and we stay in sync. Start the commentary after the Bruckheimer road-and-tree logo has faded, on the countdown.

Hunt for Red October

Hunt Red OctNetflix IMDb
Join Faldor of The Extended Edition podcast and me for a look at the Tom Clancy bromance that is Hunt for Red October. We praise the pace despite the fact that it’s mostly people talking to each other. We discuss the way the opening hides Ramius’ intentions. And we wonder whether or not the silent drive helps Ramius.

We’re watching streaming and DVR versions. Start the commentary after the Paramount logo, on the countdown.

The Bourne Supremacy

Bourne SupremacyNetflix IMDb
Faldor joins me again for the second of the Bourne movies (unless you count the TV movie with Richard Chamberlain, WHICH NO ONE DOES). Faldor claims that it’s a bad movie. I claim that it’s a good movie—specifically: Frankenstein. We compare it to the first film, Frankenstein, Bond films, Close Encounters, The Story of Anne Frank, Pirates of the Caribbean, Ronin, and—very slightly—the book it’s supposedly based on.

We agree on almost all points and yet disagree on the overall quality of the film itself. We discuss various locations in Europe, and whether or not the plot is actually necessary to the story in this case. We rewrite the film to be more character-oriented. And we touch on how technology has advanced to the point that nearly all the “high tech” stuff could be done on an iPhone.

Look for 2014 Frankenstein on the SyFy channel in the fall!. Unfortunately, The Diary of Anne Frankenstein already exists!

We’re both watching the Blu-ray, so we stay in sync. Start the commentary after the Universal logo, on the countdown.

Star Trek 6

Star Trek 6Netflix IMDb
Faldor returns to take the place of the Doctor from Speakeasy on a final(?) Star Trek commentary. We examine the film as a treatise on Shakespeare and Sherlock Holmes (and international politics and racism, whatever) and speculate on Kim Catrall’s allure.

We discuss some background on how the budget constrained Nick Meyer’s production values and how he nevertheless prevailed mightily. We like this adventure a lot, roast turkey, purple blood, and all.

I’m watching the Blu-ray theatrical cut. Faldor is watching the PAL DVD director’s cut. We try to keep clear on where we are. Start the movie after the Paramount logo, on the countdown.

The Bourne Identity

Bourne IdentityNetflix IMDb
Faldor joins me for a full look at the first Jason Bourne movie, the heartwarming tale of an amnesiac assassin learning love (and kill) again. We like the film a lot, but we do feel it has its flaws. We compare it to the Bond films, the later Bourne films, Ronin, Hannah, The Italian Job (1969), and Frankenstein. We wonder if Brian Cox has a thing for amnesiac killing machines. We question Matt Damon’s commitment to the assassin trade and what Julia Stiles is doing in this movie. I briefly accuse Dolph Lundgren of being German. Faldor briefly accuses Julia Stiles of not being a good actor. I claim that Clive Owen could play any role, including James Bond and Doctor Who (possibly at the same time).

I’m watching the Blu-ray; Faldor is watching the PAL DVD, so we resync a few times. Start the commentary after the Universal logo, on the countdown.

Plan 9 From Outer Space

Plan 9Netflix IMDb
Join Faldor and me for Ed Wood’s 1959’s Plan 9 From Outer Space, the heartbreaking tale of aliens who come to Earth to warn us of the dangers of science but who get their eyes blackened by ruffians just because they raised some corpses from the dead for some reason. What do you want? The other 8 plans failed even worse.

Faldor and I analyze the mise en scène, the cinéma vérité, and the pâté de foie gras. We explore Ed Wood’s career, Bela Lugosi’s career, and the career of some people I mix up with others and/or make up. We credit the film with inspiring countless other films and TV that ripped it off, such as Close Encounters, Star Trek, Babylon 5, and Independence Day. I accuse of the film of being accurate and well-acted; Faldor accuses it of being innocent. I call Ed Wood a war hero.

Start the commentary after the Warner Brothers logo, on the countdown.