Tag Archives: Film.Bin

Star Trek 24 “This Side of Paradise”

Star Trek TOSIMDb

Space: the final frontier. Our five-year ten-episode mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

Join Olly and me as we look into episode 24: “This Side of Paradise” We compare it to past episodes we’ve done, other mutiny episodes, “Shore Leave”, and Firefly. We fight like Kirk and Spock over Kirk and Spock and whether living on this planet would actually be fine (me: yes; Olly: you have no ambition). We imagine what hospitals would be like once the flowers are put into regular use giving people perfect health but no ambition. And we riff on wigs.

I’m watching the Netflix streaming version; Olly is watching a DVD; and we pretty much stay in sync. Start at 0:00:00 on the countdown.

Star Trek 18 “Arena”

Star Trek TOSIMDb

Space: the final frontier. Our five-year ten-episode mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

Join Olly and me as we look into episode 18: “Arena” We discuss the Gorn, the Gorn’s gender, the Gorn’s name, the Gorn’s attractiveness, and the recipe for gun powder.

I’m watching the Netflix streaming version; Olly is watching a DVD; and we talk about how we don’t stay in sync. Start at 0:00:00 on the countdown.

Star Trek 07 “What Are Little Girls Made Of”

Star Trek TOSIMDb

Space: the final frontier. Our five-year ten-episode mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

Join Olly and me as we look into episode 7: “What Are Little Girls Made Of?” (Spoiler: wires and circuits.) We discuss the classic cast, the fact that this is a bottle episode, the similarity to Doctor Who, the attractiveness of Sherry Jackson (and Ted Cassidy), and the possibility that Ruk started out as a robotic couch for an old lady.

I’m watching the Netflix streaming version; Olly is watching a DVD; and we mostly stay in sync. Start at 0:00:00 on the countdown.

Star Trek 00 “The Cage”

Star Trek - The CageIMDb

Space: the final frontier. Our five-year ten-episode mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no man has gone before.

Join Olly and me one our mission to examine Star Trek (the original series) in ten installments (probably at least eleven now, actually). Our first installment is the original pilot starring Jeffrey Hunter, “The Cage”, which was later used to cobble together a two-parter called “The Menagerie”. It’s a fascinating start.

I’m watching a downloaded Amazon streaming version; Olly is watching a DVD; and we stay in sync. Start at 0:00:00 on the countdown.

Batman (1966)

batman66IMDb

Olly is back, and this time we’re scrutinizing the fine details of Adam West’s Batman. We both love the film for what it is, and praise the cast, writing, and set design. We elaborate on the acting careers of the fine cast and crew. And we analyze its influence (I push the connections to Batman Returns, but perhaps too far).

We speculate on the manufacture of batsuits but discreetly do not mention that this batsuit, like Joel Schumacher’s, has nipples (of the 100% natural variety). We note the notable lack of catness of Catwoman and analyze the rooming relationships between the villains. And we think about all the things we should not think about when it comes to dehydrating and rehydrating people.

I’m watching the Netflix version; Olly is watching the Region 1 DVD; and we stay in sync. Start at on the countdown.

Young Frankenstein

Young FrankensteinIMDb

Join me along with Olly (last name unknown, possibly Fronkensteen) as we peer into the dark depths of taboo science and cinema with Mel Brooks’ and Gene Wilder’s wonderful Young Frankenstein.

We compare it to other Frankenstein movies, other Mel Brooks movies, other Gene Wilder movies, and Brief Encounter. Olly explains how Brooks and Wilder were both crazy in different ways. We insult Gene Wilder’s hair. We discuss back-door pilots and how this movie should not be set in Transylvania and why a mad scientist would dress his monster in a suit.

We discuss the Dr Frankenstein/Frankenstein’s Monster mixup and try to name the monster. We wish Gene Wilder had “gone the Bill Murray route”. And I try to get Olly to say “Blucher“.

We’re watching it at NTSC (American) speed. Start right after the 20th Century Fox logo on the countdown.

Thin Man, The

Thin ManIMDb

Olly is back after a long absence to drink cocktails and discuss the intricacies of the Myrna Loy and William Powell classic The Thin Man. Olly compares it to the book and to the TV show.

We analyze the relationship between Nick and Nora and compare it to other movie and TV couples. We compare the plot to other films in the series and other films of other sorts and to Agatha Christie. I mistakenly say Alan Ladd’s The Glass Key was first person point of view when it was Robert Montgomery’s The Lady in the Lake. Olly confesses to only having seen one Kevin Bacon movie, which I like to imagine was White Water Summer but probably wasn’t. So I explain Wild Things to him, which may make your head hurt.

We discuss Hitchcock’s use of leading men and humor and how it compares. We discuss how Asta is virtually useless and how Nick is not really all that insightful of a detective. And we plan on remaking it in 3D. Also, I badmouth Alan Ladd repeatedly and explain how everyone in The Maltese Falcon was gay.

We’re watching it at NTSC (American) speed. Start right after the MGM logo on the countdown.

Magnificent 7, The (1960)

mag7IMDb
Join me and the crew of Film Bin for one of the greatest westerns ever made. It’s a fun, funny, sometimes-poignant shoot-’em-up from 1960 with an all-star cast (well, nearly), and a top-notch pedigree.

We compare the film to the sequels, The Seven Samurai, Ocean’s Eleven, The Three Amigos, A Bug’s Life, Westworld, Return of the Jedi, Home Alone, and Postman Pat. We recast it for no reason and also try to reset it in Britain. We poke it for flaws and find almost none. (Why give them back their guns, tho, seriously?) And we invent a couple of back stories and sequels (and copyright them!) involving werewolf hunting and hangovers.

We’re watching the Blu-ray and stay in perfect sync. Start the film with the MGM lion logo on the countdown.

Great Race, The

Great RaceNetflix IMDb
Join me and the crew of Film Bin for a look at Blake Edwards’ 1965 ensemble comedy about a motor race from New York to Paris. It’s the heartwarming and rib-tickling romantic adventure starring Tony Curtis, Natalie Wood, and Jack Lemmon. It’s big, it’s kind of corny, and it’s so long it has another movie inside it.

We analyze the ensemble comedy phenomenon, try to figure out Tony Curtis, try to determine the nature of the relationship between Max and Professor Fate, and try to keep up the pace during a 30-minute saloon brawl. I try to rewrite the film to include more of the prince, we compare the food fight to other cinematic food fights, and we try to figure out what that thing is that Natalie Wood is wearing.

We’re watching a R1 DVD version and stay in perfect sync. Start the film after the overture on the countdown.

Flash Gordon

Flash GordonNetflix IMDb
Join me as I join the entire Film Bin crew to have a look at the wonderfully campy and adventurous Flash Gordon. It’s the heartwarming tale of boy meets girl, boy and girl are kidnapped by a scientist and forced to travel to space, where they are kidnapped by a dictator, girl loses boy, boy is kidnapped by another girl, then imprisoned by her boyfriend… Long story short, boy gets girl and only has 14 hours to save the earth.

We compare it to Star Wars, Superman, Indiana Jones movies, Highlander, the original film serial, Barbarella, Doctor Who, The Wizard of Oz, and Buckaroo Banzai. We analyze the physics of Mongo, the force of nature that is Brian Blessed, and the possibility that Klytus designs all the costumes on Mongo. We fix Hollywood action movies and align the DC universe and Star Wars universe with this one.

We’re watching the Blu-ray/region 1 DVD. Start the film at 0:00:00, right before the Universal logo appears, on the countdown.