Tag Archives: James.Bond

The World is Not Enough

World is Not EnoughNetflix IMDb
Bond is back, and Pierce Brosnan is at the top of his game—or perhaps just past it. This is not one of my favorites, but I find that on revisiting it my opinion changes in what I think is a very interesting way. Listen to find out at whose feet I lay the blame.

Our villain is kind of mushy. Our Bond girls lovely if a little hard to believe. I don’t have much trouble getting thru it even tho I find it quite flat, but you may find that I repeat myself too much and talk too much about the guns and whether or not Bond is sexist, misogynistic, or just a sex addict.

I’m watching the region 1 DVD. Start the commentary after the MGM lion and United Artists logo with the gun-barrel sequence, on the countdown.

Tomorrow Never Dies

Tomorrow Never DiesNetflix IMDb
Bond is back, and Pierce Brosnan is on for a second go. This is one of my favorites, despite what anyone else might say. It does have its weaknesses, tho, and I explore both its strengths and failings right along. I love the action, the addition of Wai-Lin, the music, and more. I don’t care for Elliott Carver’s plan all that much.

I’m watching an HD version off a movie channel, so hopefully it will sync with the new Blu-ray. Start the commentary after the MGM lion and United Artists logo with the gun-barrel sequence, on the countdown.

Goldeneye

GoldeneyeNetflix IMDb
Bond is back, and Pierce Brosnan is the man. Join me and my guest Faldor as we work our way thru this very enjoyable entry. Unfortunately, Boris hacked into our computers and screwed everything up*, so the second half is kind of weird, but still perfectly listenable, I assure you.

We wax philosophical about Bonds, Bond girls, and tank chases, and generally have a good time watching one of our favorites.

* Me. I— I screwed everything up. Sooo many times….

We’re watching a PAL version. Start the commentary after the MGM lion and United Artists logo with the gun-barrel sequence, on the countdown.

Licence to Kill

Licence to KillNetflix IMDb
Bond is back, and Timothy Dalton is here to stay! (Until the end of the movie.) It’s the end of an era, with John Barry already gone, Cubby Broccoli on his way out, and a new Bond, M, Moneypenny, director, and writers waiting in the wings. It’s an action-packed, adrenaline-fueled, revenge tale like no other (except for every other ’80s action movie). The stunts are spectacular, the villains are unsavory, and the girls are absolutely to die for.

I compare the film to Die Hard, Lethal Weapon, Raw Deal, Yojimbo, and The Beautician and the Beast (not really, but I should have). I suddenly notice that Bond has sex with Pam. I question Cubby Broccoli’s motives for “testing out” a see-thru swimsuit. I heap praise on it in nearly every respect, but I still don’t like it, BUT I admit that I’m probably being unfair, so your mileage may vary.

I’m watching the Blu-ray. Start the commentary after the MGM lion and United Artists logo with the gun-barrel sequence, on the countdown.

The Living Daylights

Living DaylightsNetflix IMDb
Bond is back, and he’s played this time by Timothy Dalton! It’s a terrific entry in the series, with spectacular stunts and little that it dumb and cheesy. Maryam d’Abo is the cellist/sniper/freedom fighter/pilot of his dreams—which is good because she’s the only beddable female in the film unless you count a much younger and hotter Moneypenny and Pushkin’s girlfriend, who suffers terribly considering that she’s completely innocent. He’s helped along by old friends Felix Leiter and Stewie Griffin.

However, I bemoan the rather clownish villains. I point out that Bond helping out Osama bin Laden Kamran Shah against horrible reasonable and affable Russians might not be the wisest strategy.

Start the commentary after the MGM lion and United Artists logo with the gun-barrel sequence, on the countdown.

A View to a Kill

View to a KillNetflix IMDb
Roger Moore is back for his last rodeo as James Bond! It’s a rather slow, somewhat dull, kind of haphazard adventure filled with lovely women and also Grace Jones!

Honestly, there’s not a lot to say about this one. The whole formula is a bit tired and threadbare. I try to make the best of it and have fun by, for example, noting how stopping a guy from making EMP-proof chips available to the world is kind of a jerk goal for British Intelligence. I point out how Zorin is awfully clumsy about keeping his activities quiet when he puts his name on every chip and has them packed for shipping in his basement.

Start the commentary after the MGM lion, but before the Zorin disclaimer, on the countdown.

Never Say Never Again

Never Say Never AgainNetflix IMDb
Bond is back and Connery is playing him! It’s the one-off Thunderball remake of sorts that comes, as all great things do, courtesy of a contentious lawsuit. It’s the goulash of Bond films, with a little of everything and all, surprisingly, in about the right measure. The music is bad but the gadgets are good, the babes are bodacious, and the villain is batshit crazy with a hint of whimsy.

I analyze the differences and striking similarities in the structure and plotting, compare it to other Bond films, assess the Bondiness of Connery’s 12-years-later Bond, and question why he’s now working for the Jackal.
Continue reading Never Say Never Again