Tag Archives: movies

2010: The Year We Made Contact

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Join Mehul and me as we again explore the vastness of space and decide whether or not getting mean texts constitutes “contact”. We compare it to 2001, 2002, 2003, etc., Contact, Alien, The Abyss, Leviathan, Deepstar 6, submarine movies, Seaquest DSV, Star Trek’s “The Tholian Web”, and Rocky 5*.

We discuss and praise the cast, the miniatures, and cinematography. We mock the slow burn, the Russian tech, and the politics. We suss out the motivations of everyone except the monolith. We try to figure out how gravity works. And we try to decide if Roy Scheider is a love interest.

* I don’t use Roman numerals because, as previously discussed, I DON’T SPEAK LATIN.

I’m watching the Blu-ray; he’s watching a streaming version and re-sync a few times. Start after the MGM logo on the countdown.

Baby Driver

Baby DriverIMDb

Faldor is back! We sit down for a look at Edgar Wright’s new flick about the heartwarming romance between boy and his iPod and also a girl he kind of likes, but maybe not LIKE likes, ’cause he’s not gonna get all mushy or anything. We compare it to other Edgar Wright films, crime pictures of the ’60s and ’70s, Reservoir Dogs, Ant-Man, Highlander, James Bond films, John Wick, Layer Cake, Highlander, Harry Potter, Where Eagles Dare, Captain America: Winter Soldier, Oedipus Rex, The Omen, and, of course, the first in the series: Baby’s Day Out.

Martin (Faldor is just a code-name he tells everyone) recommends the Ford Ka as a getaway car. We recast Doc. We disbelieve that any adult was a toddler when iPods came out. We try to figure out the timeline of the third act. We try to figure out why Kevin Spacey bothers to pack up his tiny car collection. And we try to figure out why Bats has bats tattooed on his neck (theory: everyone likes bats).

We’re watching the Blu-ray and a download and stay in sync. Start the movie on the countdown after the logos, right before the bank scene fades up.

2001: A Space Odyssey

2001 Space OdysseyIMDb

Join Mehul and me as we explore the vastness of space and discover it full of stars character actors! We contemplate the nature of the universe, discuss alien life and intelligence, talk about the film’s influence on our culture and movies, and generally have a very good time with this slow, contemplative, visual feast of a film.

Altho we discuss what we think could have made it better, and altho I don’t say it, I consider this to be a nearly perfect film. But is it entertaining…? Eeeee, maybe not as much as it could be.

We’re watching the DVD and streaming versions and pretty much stay in sync. Start after the MGM logo on the countdown.

Duck Soup (1933)

Duck SoupIMDb

Olly is back, and this time we’re discussing the distressing idea of incompetent clowns taking charge of a country. Will they be able to make Fredonia great again? Will they Frexit?

We compare it to other Marx Brothers movies—with and without Zeppo—commedia dell’arte, the Muppets, Bugs Bunny, MASH, Blazing Saddles, and Monty Python and the Holy Grail. We figure out why comedies aren’t funny anymore (no hats). We argue over the name of the dog (Pastrami) and what women are wearing (underwear and a peignoir*). Olly constructs a conspiracy theory about Harpo doing radio. I repeatedly mix up the names of the brothers. Olly can’t think of a name (Davy Crockett). I urge temperance. Olly urges driving yourself to madness.

* As determined by a grueling and exhaustive search of lingerie pictures on the Internet.

I’m watching the Region 1 DVD; Olly is watching the Region 2 slowed down; and we roughly stay in sync. Start at on the countdown.

Night of the Living Dead (1968)

Night of the Living Dead

IMDb

Join John Pavlich of Sofa Dogs as I (and some spoooky devil dogs) join him and together we wax poetical about George Romero and his zombie film, the one that all zombie films afterward use as a template.

We discuss the enduring format of the siege picture, the race and gender issues, the acting, the direction, the difference between zombies and ghouls (ghouls rule, zombies drool), and of course whether Harry & Helen are Homer & Marge Simpson or Thurston Howell III & Lovey (me: both; John: neither).

We compare it to all the other zombie movies, disaster movies, and Invasion of the Body Snatchers. We discuss the social commentary, the social impact, and social media. Bonus: I explain women’s suffrage, altho frankly everyone should know about it already from the rockin’est School House Rock song of all time.

We’re watching streaming versions (great HD one on YouTube). Cue up the first frame before the title-card-on-the-road opening.

Titanic (1997)

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It’s the 20th anniversary of James Cameron’s tour de force romance-on-the-high-seas-gone-wrong Titanic, a film so big it made people briefly think James Cameron wasn’t crazy (he is).

I’m joined by Mike from Commentary Track Stars and Great Shot Kid and Mehul from the Internet! They love this movie, which more than makes up for the fact I think it’s flabby and stilted until shit gets real and a little movie star named Ice Berg shows up. We compare it to Cameron’s other movies, other water and ship movies, other romances movies, Stanley Kubrick movies, and Back to the Future. We praise the acting, the set design, the concept of limitations, and heroes of the actual, for-real tragedy that Cameron tacked an Aladdin-style street-rat-and-the-princess romance onto. We complain about the acting, the early CGI, the ham-handed dialog, and the nudity (Mike & Mehul; not me, I assure you).

We’re watching the disk and Netflix and iTunes versions and stay in sync. Start after the logos on the countdown.

Commando (1985)

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CommandoWatch along with Jimmy and me as we hark back to 1985 with our mullets and parachute pants and feast our eyes on Arnold Schwarzenegger in his prime fighting bad guys and rescuing damsels and also being rescued by damsels.

We try to figure out who the real commando is. We count how many times “John Matrix” should have died (5). We laud the roles given to the female characters, even if they’re ludicrous and superfluous. We wax poetic about ’80s character actors and their credits. We applaud the ticking clock (a beeping watch) and the conspicuous lack of cell phones. And we duck and cover when all hell breaks loose at Harold Lloyd’s Victor Maitland’s Arius’s house. (Beverly Hills Cop was not filmed at the Lloyd mansion, but Young Lady Chatterley II was, and I highly recommend it for the scenery.)

I identify all the cars. Jimmy becomes confused by a sex position he’s never seen (he didn’t see Young Lady Chatterley II). I reveal my secret weakness (low-oxygen environments). Jimmy casts Schwarzenegger and Stallone as Holmes and Watson (and immediately disavows it). I reveal why I washed out of commando school (poor sense of smell). Jimmy repeatedly points out who’s not being nice (almost everyone). I insult the Scottish people by comparing them to the Amish (send your angry cards and letters to Tysto c/o Donald Trump, White House, America). And Jimmy insults the Scottish people by claiming Scotland has less history than the US (send your angry cards and letters to Jimmy B c/o Donald Trump, White House, America).

We’re watching the Blu-ray and Amazon Prime Video and stay in sync. Start after the 20th Century Fox logo on the countdown.

RoboCop (1987)

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robocopJoin me as I join John Pavlich of Sofa Dogs for Paul Verhoeven’s shoot-em-up classic (no not that one, and no not that one–okay he made a LOT of shoot-em-ups) RoboCop. This is the 1987 one, not the remake that is definitely terrible even tho we didn’t see it.

It’s the heartwarming tale of a simple law enforcement officer caught in the strange machinations of a major corporation and finding love, laughter, and many, many bullets. We discuss its relevance to today (timely!), it’s similarity to traditional stories (Frankenstein, Pinocchio, and Showgirls), and how close this came to being a terrible movie.

We’re watching the Blu-ray. Cue up the first frame of black after the Orion Studios logo fades and start with the countdown.

Star Wars: Rogue One

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Rogue OneJoin Drew and me for a whirlwind tour of the galaxy, with a cast so vast includes several dead people. It’s the heartwarming tale of a pair of ragamuffin lone wolves in a motley band of rogues within a ragtag group of rebels inside a struggling republic fighting a galactic empire with no apparent emperor that nevertheless somehow builds gigantic moon-sized space stations. And it’s the tale of how they get a message from a guy who tells them all they have to do to destroy that space station is get the plans from the most secure military warehouse in the galaxy and exploit a flaw he designed deep inside the most dangerous weapon ever created. SIMPLE!

We’re watching on Blu-ray. Start right after the Lucasfilm logo on the countdown.

Avengers: Age of Ultron

IMDbAge of UltronJoin me as I join John Pavlich of Sofa Dogs for a dive into the second Avengers film. We compare it to other Marvel films, Frankenstein, and Barb Wire. We praise nearly every part of it but come out feeling like it largely missed the mark.

We’re watching the Blu-ray. Cue up the first frame of black after the Marvel Studios logo fades and start with the countdown.